A recent seminar on the TV drama “Breaking the Code” was held in Beijing, organized by the China Television Artists Committee.
“Breaking the Code,” a red espionage drama written by Qian Linsen and directed by Lin Ke, reveals the story of nameless heroes engaged in the battle of decoding and encrypting radio communications, which significantly contributed to the success of the Red Army’s Long March. The seminar, hosted by Yikai, the Secretary-General of the China Television Artists Committee, provided an analysis of the series from various perspectives, including its thematic ideas, artistic innovation, and real-world value.
Yuan Jinguo, the chief planner of “Breaking the Code,” expressed the creative intent behind the show by highlighting three main aspects: honoring nameless heroes, providing spiritual nourishment for the new era, and fulfilling the dreams of the people in Ningde. He noted that the series chronicles the heroic deeds of “nameless hero” Cai Wei, showcasing his unwavering revolutionary spirit and authentically depicting the Red Army’s experiences in codebreaking, thus promoting the revolutionary values of absolute loyalty and selfless dedication.
Zhong Chengxiang, a member of the Central Research Institute of Culture and History and an arts critic, praised the series for its foundation in true history and for uplifting Fujian’s red culture. He sees it as a strong example of “combining achievements with talent cultivation,” sparking profound discussions on how to connect the production of artworks with the surrounding environment.
Li Jingsheng, vice president of the China Association of Radio, Film and Television Social Organizations, commended the unique characteristics and significance of “Breaking the Code” within the genre of revolutionary historical dramas, noting how the series intertwines a lesser-known story with the history of the Long March and intelligence work.
“We have a unique perspective, distinct characters, and a compelling story—these elements give the drama its unique standing,” remarked Yikai in his summary of the series’ creation. He added that the creative team has brought the red culture and heroic stories from Fujian’s revolutionary old district to the screen, maintaining consistent quality in character development, plot structure, and production standards. “Breaking the Code” features a solid script with rigorous logic, contributing important insights into the creation of Fujian television dramas and those exploring revolutionary themes.
