Kylie Minogue’s latest album, Tension II, follows the success of 2023’s Tension and the chart-topping single “Padam Padam.” While it offers a mix of glitz and vulnerability, it struggles to match the high standards set by its predecessor, often drifting into repetitive themes and sounds.
In recent interviews, Minogue has shown herself to be both charming and refreshingly private. She has a knack for humor, exemplified by her witty dismissal of the notion that Kylie Jenner could trademark their shared name. Unlike many contemporary artists who delve into confessional storytelling or self-aggrandizement, Minogue remains grounded. Her forays into the wine business have been successful, and while her music from the 2010s and 2020s hasn’t quite reached the heights of her iconic 90s and 00s era, she has consistently produced noteworthy singles and captivating tours that keep her fans engaged, especially in the drag scene.
The resurgence of her career kicked off last year with “Padam Padam,” a track that became a cultural phenomenon thanks to its quirky lyrics and infectious hook. The accompanying album, Tension, was arguably her best work in years—a euphoric blend of EDM-pop infused with her signature French touch and nostalgic 80s vibes. Tracks like “Hold on to Now” and “Tension” showcased a delightful mix of playfulness and confidence.
Now, with Tension II, Minogue aims to keep the party alive, releasing her 17th studio album. This new collection includes nine original tracks and four collaborations with artists like the Blessed Madonna, Diplo, and Sia. However, despite some standout moments, the album struggles to replicate the magic of its predecessor. Instead of carving out new territory, it revisits familiar beats and hooks from “Padam Padam,” often leading to a diluted experience.
Several songs feature classic Kylie highlights but often get overshadowed by formulaic EDM drops. For instance, “Someone for Me” starts strong with sultry verses but quickly falls into a synthetic dance beat. “Good As Gone” aims to channel a disco anthem but lacks follow-through in the chorus, leaving listeners craving the sparkle that originally launched her stardom.
Ironically, Tension II might reflect a lack of confidence—something that feels out of place for Kylie. However, “Shoulda Left Ya” stands out as a vibrant electro-pop ballad, showcasing the emotional depth that fans wish she would explore more frequently.
One of the album’s treasures is the track “Diamonds,” which stands out for its casual glamour and catchy essence. With lines that invite sing-alongs, it commands attention. Unfortunately, this gem is sandwiched between less memorable songs like “Kiss Bang Bang” and “Hello,” which offer little excitement.
It’s worth considering that expectations for Tension II have been unavoidably shaped by the brilliance of Tension. Many listeners may prefer to revisit the first album instead of diving into this sequel. Nevertheless, Minogue has a remarkable talent for reinventing herself and collaborating with unexpected artists. While Tension II has its merits, it primarily fits the mold of late-period Minogue—boasting a few tracks that could slot perfectly into a greatest hits setlist or electrify a late-night drag show.
